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Lesson one - The Nativity
(pages 2-3)
Aims for the book
- To introduce pupils to key events from the life of Jesus and
the way in which these raise questions about the person of Jesus.
- To enable pupils to understand the importance of these events
at the time of Jesus.
- To enable pupils to reflect on the relevance of these events
for Christians today.
- To encourage pupils to raise questions about these events in
the light of their own experience.
Learning objectives
Pupils will;
- reflect on the joy and wonderment of birth and creation;
- understand that for Christians the birth of Jesus is hugely
significant;
- know that Christians believe that Jesus is the Messiah.
Text from the book
Why should a great king be born in a stable?
Jesus was born in a stable in Bethlehem. His parents were Mary
and Joseph. Christians believe Jesus was a great king. He was a
Messiah who would bring about God’s will on earth. In the Bible,
the Angel Gabriel appeared to the shepherds and told them that the
Messiah had been born in a stable nearby.
Background
There are three accounts of Jesus’ birth in the Gospels. Two, in
Luke and Matthew, are told in story form, although they are very
different; the third, in John’s Gospel, is different again. All
the stories, however, make the point that Jesus is the Messiah,
the ‘Anointed One’; who, in the promise given to the Jews by God,
will come to bring about the Kingdom of God, a rule of peace and
justice. That was God’s promise and the angel, or messenger, appearing
to the shepherds was telling them that the time had come and the
promise was fulfilled.
Ways of using the picture
- Talk with pupils about events surrounding a birth. What happens?
How are the preparations made? Are there any family stories?
- Some births take place in remarkable circumstances. Why should
the Messiah be born in a stable? Discuss Beryl Cook’s painting.
Bible references
Matthew 1.18-2.23, Luke 2.1-20, John 1.1-15
Key Words
- Greeting
- Fun
- Joy
- Gift
- Delight
- Creation
- Wonder
- Special
- Mood
Activity: The Joy of Creation
You will need
A collection of musical instruments
Art materials
Ask pupils to reflect on the picture and describe in sound (using
musical instruments), colour (paint) and gesture (hand or body movements),
the mood of the picture.
Ask pupils to explain why the mood might be so.
Explore the Christmas activities that fully catch this mood, such
as some carols and songs, lights and decorations. Make a display
of these ideas, in drawings, words and paintings. Biblical texts
might be used from Luke’s gospel expressing the wonderment of this
birth for Christians.
Learning outcomes
Pupils will;
- have had opportunities to experience and respond to feelings
about birth and creation;
- be aware of the significance of the Christmas story for Christians.
Extension work
Explore the wonder of birth and the 'specialness' of individuals.
Each pupil can do a hand print or a digital photograph with other
pupils making positive comments about their specialness. Challenge
the pupils to compile one about Jesus.
Reflect and wonder about the ‘nativity’ story. Why were the lowly
shepherds the first to hear the news of the birth of Jesus?.
Web site links
http://www.britannica.com
Yet again this comprehensive site provides a range of useful articles
and resources, in this case on the Nativity.
http://www.crewsnest.vispa.com/christmas.htm
The Crews' Nest web site looks at ways Christmas is celebrated
around the world and includes jokes, Christmas cards and much more.
Other child-friendly Christmas sites include http://www.holidays.net/christmas/
and http://dailynews.yahoo.com/fc/Yahooligans/xmas
(a detailed listing of other useful sites).
http://www.berylcook.com/
Beryl Cook's painting of the Nativity, used on this double page
spread in the book, is an unusual subject matter for her. The web
site, dedicated to her paintings, offers a biography and numerous
products to purchase.
Other paintings can be viewed at http://www.art-network.co.uk/banca/coober/
. The web site http://www.horne.demon.co.uk/beryl.html
includes thumbnail images with links to the sites containing the
full size versions.
© Alan Brown and Alison Seaman, 2002
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